869 Royalty-Free Audio Tracks for "Record At End"

I accidentally recorded this sequence when i left my camcorder on while filming some drawing tutorials. My warehouse style studio is in the inner city at street level opening onto a street closure/park so you will hear some faint bird tweeting in the background. Near the beginning and end there is the sound of a large industrial sliding door and the loud clanging is a drop bolt on an external metal security grill gate. Wind blown chimes add to the scene. I only applied a very low level audio clean-up using adobe soundbooth cs3 to reduce hiss.

Non-functional tube radio warming up, making a loud 60hz hum with lots of harmonics. As a bonus it clicks off at the end. Zenith consoltone. Only because the faq says so: electro voice n/d 257a through impedance transformer into crappy gigabyte motherboard realtek high definition audio. 16bits, processed at 32bits. Audacity sound editor and/or driver wouldn't record mic level so it was very noisy after amplification. Filtered with a (mathematically equivalent) fft constructed whopping 64k length zero phase filter (blackman window) with 5 wavelength width bandpass at each harmonic from 60hz to 5,520hz. For some reason a fraction of some of the harmonics didn't get through so did another pass on the residual noise and mixed that in. Near the beginning there was a sort of brief duplicate signal that descended in pitch so it didn't make it through the filter. I added that bit in. Attenuated frequencies above 3. 6khz because they are pretty much noise, but removing them didn't sound right. Cleaned up the beginning a bit in various ways, cut it down to 15 sec and carefully appended the unfiltered "click" onto the end, which i denoised 12db with audacity's noise reduction.

This is my first submission to the site. I've recently been exploring sound design a little bit more and thought i would provide something. Here is 15 minutes of ambient sound recorded around 5 am on october 10th, 2011. I used a shure sm58 microphone through a native instruments audio 8 dj interface. Without a microphone amplifier or my active microphone ready to use i ended up amplifying this about 52 db then removed the extraneous noise by 80% @ 40 db using the noise reduction plug-in in adobe audition cs5. 5. Finally, saving the result to wav @ 44,100 hz, 16-bit.

Zoom h4n - onboard microphones. This recording was captured in the city of orange in orange county, california. This is located just below los angeles and less than a mile from disneyland in anaheim. This is an extremely clean recording of a sudden cloudburst that turned in to a torrential downpour on december 28, 2020. The peaks are all very close to 0db. I opened the sliding glass door to our balcony and placed my zoom h4n as close as possible to the rain without destroying the recorder. What resulted is an amazingly layered rain track. This is because rain can be heard striking multiple surfaces such as a tree, a metal table, the cement balcony, etc. . . There is not much thunder (that's rare in this area) but if you need a few dramatic thunder claps they can be found at the following times one the file is downloaded. Note: that the rain decreases in intensity near the end. 8:09 - 9:37 - 10:31 - 11:20. - christopher.

I just recorded this on my phone whilst i was chilling in the conservatory atont the back of my house. . . The heavens literlly opened for a very heavy shower of. . . You will hear the rain on the roof and i move the phone closer and further away from the roof so to get a good soundrange. . I also open the door and let the recording pick up the natural outside showering and rain gushing over the gutters hitting the patio and back step. . Also i splutter a couple of times but its background. . Oh and a whistle at the end. . . Any changes or requests please feel free to ask/get in touch. . !!enjoy the golf all /=].

This sample consists of noise recorded via a hondo strat electric guitar resp. The guitar's neck pickup. Throughout the sample there is a low hum. In the beginning, a mobile phone was moved in front of the pickup. The noise might have been created by the clock of the phone's cpu or the backlight of the phone. After that, one crt display is switched on resulting in a buzz. Later on, a second crt display is switched on, again resulting in a buzz followed by additional noise in higher frequencies. Then, a neon light is switched on, creating even more noise. Towards the end, again the mobile phone. . . The guitar was connected to a scott&noble ht25r amplifier which was recorded with a t. Bone sc450 condenser and a behringer ddx3216 digital console directly into ardour.

The guest room i am staying in has a tile bathroom. Each time i take a shower, i hear this magnificent hum of the water heater clicking on and then turning off once the shower water is stopped. I was fortunate enough to hear it click on while i wasn't in the shower and captured about 30 seconds of it before it died. Infinite variation, impossible to replicate. At the end, as the water heater shuts down, it clicks down into the lowest ranges of the frequency spectrum; i didn't hear it until i listened to the recording but the couple of seconds of that are just as magical. Wish i would have left the recorder running!. Captured with a zoom h3-vr to ambix format at 96k24bit and bounced to stereo. Processing: 24db gain to all 4 clips, izotope spectral denoise to get rid of the air in the room and izotope ozone to enhance the bass signal a touch. Enjoy!.

It's a recording of three emtec cd-rs being broken with bare hands. I had 3 audio cd-r that were burned useless. I decided to record their last sounds. You can hear the cds cracking and breaking, me bending them and trying to break them - they were pretty elastic - i had to learn how to crack them. So at first i had some trouble. Around 0:45 you can hear as i'm bending two cds together they squeak and crackle but don't break. The sound is not edited (hence the tag "raw") - no processing was done - i just truncated the beginning and the end leaving you everything you might need. Recorded with a zoom h2 placed on my bed. I was breaking the cds above it. There was a lot of splinters around, you can hear me fiddle with them from around 2:10 on. Originally wav 96khz/24-bit. Truncated and converted to flac with audacity.

4-channel record of a rolling thunder. The record is slow downed to 0,7-speed. The thunder has now very deep frequencies, which can shake your house, if you have the right equipment to play the file. The 4 channels are recorded in irt-cross technique (microphone distance 25cm) so it is a 360° record. Http://irt-cross. Mozello. Deat the end of the track the rain moves to the front channels. (fade is starting at 1:20 min and is finished at 1:41min)my other track can be used for "intro" followed by this track. See/hear here for the intro option:https://freesound. Org/people/bluedelta/sounds/446753/. The spatial impression is best if headphones are used. Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. ;-)_________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones).

I'm at the corner of 5th and kansas not far from kair 93. 7fm studios. This sound starts with the band from part1 departing and a truck passing. Children talk and yell and a man yells something. Another band approaches. A woman seems to tell someone to say cheese in the distance. The file ends when the band gets a bit too loud for my microphone. Recorded with goldwave with an asus laptop in my backpack and a microsoft lifecam3000 poking out of it facing behind me clothes-pinned to one of the handles of the pack. Unfortunately microsoft no longer supports their lifecam apps so it's not possible to turn down the internal mic gain.

Here are the audience bits from a jazz concert i recorded using an olympus field recorder. The auditorium was intimate and acoustically excellent. In the first section if applause you will here a mild rumble. There was a standing ovation, and that's what that rumble is. I also included some quiet bits of the band on stage getting ready for a song, and some subtle crowd walla as well. There is plenty to play with if you need to loop. You may here some bits of the mc or sax player in the background near the end, but nothing you can't work around if you need to. Check my other up-loads for an extended walla track from this same show. Hope this track works out for you!.

Sounds of a 15-year-old dog with laryngal paralysis chewing on a rawhide bone in her crate. (very sad to me as lela is a beloved family member and near the end of her life, but maybe someone can put all this suffering and racket to good use. ) at about the 01:17 mm:ss mark, things get louder because i leaned the recorder up against her crate, near her face. Prior to that the mic was about 5' away, on my kitchen table. I apologize for any unexpected clangs. I didn't edit this file, just uploaded it. Good luck. I'd say "enjoy" but these sounds are pretty gross. :).

Rode nt4 mic with a rycote wind muff on (slight attenuation of the higher frequencies is noticeable to my ears) sitting on a chair under an awning on my porch. I hit record slightly too late to catch the first couple of bell rings, but got most of it. First we hear the church signal 8pm, then we hear the courthouse do the same thing. Also some wind in the trees right above the mic, some rain, a bit of thunder, and some cars in a small town. Also a huge truck with loud engine that sounds almost like thunder towards the end, in fact it was mixed with thunder at one moment. Captured with maudio delta1010lt soundcard.

A long recording on board the "green car" of the jr tokkaido line from atami to shinagawa. A "green car" refers to the first class cars on some long distance local trains. The ride is smoother and the cars are generally much quieter. The cars are generally empty but, this was at the end of a 3 day weekend, so the car was actually quite active (i'll try to get a quiet one soon). You can hear the ticket attendant, the conductor's announcements, station arrivals and departures, passengers getting on and off the train and settling in and having conversations. At some point you can hear the guy behind me eating senbei (a crunchy japanese rice cracker) - that's a little annoying, but there might be some usable bits in there if you're good at editing backgrounds. But like i said, i'll try to get a less busy train next time. Recorded with 2 stereo mic pairs and unedited.

A small group of people collected hay on a meadow by means of sweeping the hay into mounds and placing it on hay racks by means of pitchforks. A couple of guys set up hay racks by knocking a sharp, short pole obliquely into the ground to be used as support. Next, they used a crowbar to make holes in the ground for the large poles which were assembled in a row. Finally, a short oblique pole was knocked into the ground on the other side of the high poles and steel wire was attached t one of the oblique poles,then attached to the long poles by one loop on each pole until it was attached to the oblique pole at the other end. Birds were singing and sheep with bells were grazing nearby.

I made a small python program that generates 20 random beeps. I record the outcome. I cut the result so that the first beep starts after 0. 01 secthe file ends right after the last beep. (i'm a python noob. . . If you find something you don’t like in the code please let me know. ). # gis_sweden 20170531 - random beep in python :-)import winsoundimport randomimport timebeepnr = 1. While beepnr < 21:freq = random. Randrange(1000)+110dur1 = random. Randrange(700)+20dur2 = random. Randrange(10)+2winsound. Beep (freq, dur1)time. Sleep(dur2/10)print 'beep number', beepnrbeepnr = beepnr + 1.

I made a small python program that generates 20 random beeps. I record the outcome. I cut the result so that the first beep starts after 0. 01 secthe file ends right after the last beep. (i'm a python noob. . . If you find something you don’t like in the code please let me know. ). # gis_sweden 20170531 - random beep in python :-)import winsoundimport randomimport timebeepnr = 1. While beepnr < 21:freq = random. Randrange(1000)+110dur1 = random. Randrange(700)+20dur2 = random. Randrange(10)+2winsound. Beep (freq, dur1)time. Sleep(dur2/10)print 'beep number', beepnrbeepnr = beepnr + 1.

Sometimes i regret being so stubborn, only using analog modules in my modular. How easy it should have been creating cool rhythms for the drums with a digitalclock generator or having a nice wave table oscillator etc. . . . Today, i admit, i once again was looking at a digital clockgenerator. How would care!?same sequence as in electronic minute no 105, but slower. And i have added someeasy modular analog. . . . Drums and a bonus sound. Play with it. In the end the drums are alone!the wav-file is raw! no editing at all. Yes i should record via my h1. . . But it'sso easy to use the mic in on my laptop.

Field recordings extracted from videos i took while travelling on a vaporetto (small public transport canal boat) along the grand canal. You can hear the water, the engine revving as the boat criss-crosses the canal from one stop to the next and the(mostly english)chatter of other passengers on the boat. On "venice2" horns are blown by other vessels and someone says at the end "i'm getting off the boat". I have joined 2 tracks on this one and there is a small gap, but with the right equipment that can be edited out. All in all very evocative of the busy atmosphere in venice, even in march (2012).

I made a small python program that generates 20 random beeps. I record the outcome. I cut the result so that the first beep starts after 0. 01 secthe file ends right after the last beep. (i'm a python noob. . . If you find something you don’t like in the code please let me know. ). # gis_sweden 20170531 - random beep in python :-)import winsoundimport randomimport timebeepnr = 1. While beepnr < 21:freq = random. Randrange(1000)+110dur1 = random. Randrange(700)+20dur2 = random. Randrange(10)+2winsound. Beep (freq, dur1)time. Sleep(dur2/10)print 'beep number', beepnrbeepnr = beepnr + 1.

This is a recording of an office paper shredder starting up. This model of paper shredder has a button that you can press to run it briefly in reverse, in order to clear paper jams and clean the blades. If the shredder hasn't been used in a while, it takes several seconds to start, and makes a cool noise while doing so. The click at the start of the recording is the switch being pressed. You then hear the motor struggling to start up for about five seconds, and finally it comes up to speed. The high-frequency crackling you hear, particularly once the motor is running smoothly, comes from bits of paper still rolling around in the blades (easy to convert into a campfire or rain). There's another click at the end when the reverse button is released. I uploaded this because several parts of the recording sounded like they'd lend themselves to morphing in various ways to create other interesting noises. Recorded with a hand-held zoom h4n, stereo 96 khz / 24 bits, with the built-in mics, positioned about six inches above the rotating blades of the shredder.

Disclaimer: this may be loud. Check your volume. This sound is an experiment i did for a short film my crew and i are working on. I wanted to see if i could make a warning effect like the civil defense messages that play on the radio for storms and other emergencies, so i recorded my voice, and pitched it down, equalized it, put it through a high pass filter and lo and behold, i think it sounds pretty darn close. I then coupled it with a couple alert tones from my local noaa / nssl station and this sound was born. This effect could be used for an apocalyptic scenario or civil unrest, riots, looting, or anything else you desire. Not required, but it would be cool to hear if you use it for anything. Enjoy!.

A recording of flushing the toilet’s water, followed by a groaning door closing sound. Production stages : this sound was originally recorded by a group of students at university lyon 3. Then it was imported to audacity where few modifications were made. First of all, the record was precisely cut so there are no human voices in the background. Then, the sound was normalized and slightly compressed before applying the noise reduction effect. Last, but not least a constant gain was added at the beginning and lightly fading effect took his place at the end. Son du type x (continu complexe)c’est un groupe nodal des sons saturés avec une hauteur variée, suivis d’un bruit d’une haute hauteur. Le son est cannelé et constant et finisse par le son de la porte qui est métallique et aigul’attaque du son est rapide et forte, plutôt abrupte. Le grain est frémissement et rugueuxet l’allure est naturelle, désordonnée et aléatoire.

Early spring thunderstorm in north central oklahoma recorded on 05/02/2018 starting at about 9:30 pm cdt. Recorded in the middle of the country by placing a mic outside the man cave window of my house. The storm starts with light rain and some medium distance thunder. At about 4:00 mins the wind starts to pick up and by 5 mins the wind sound drowns out everything else (50-60 mph gusts). By 6:00 mins the wind is fading as the storm front passes. By 9:00 mins it’s just soft rain and occasional thunder. At about 13:00 mins, the thunder starts picking up a bit. At about 17:00 mins it starts raining harder again, with occasional thunder, until the end. A couple of human noises were edited out, and noise reduction was applied.

A complete trip on métro (subway) line 9 of the paris subway system, from the alma-marceau station to the havre-caumartin station. Starts with descent into the métro station and ends climbing up the steps back out at the destination. One train is allowed to pass, at about the 1-minute mark, as we wait on the platform, and an announcement giving the times for the next trains can be heard. The ride on the following train begins at around the 2-minute mark. There are two loud sounds between about 9:10 and 9:20 and some loud low-frequency wind noise at around 10:40 (as we leave the métro station and return outside), so beware. Recording with zoom h4n, originally 96 khz/24 bits, uploaded as mp3 320 kbps because the wav was so big (almost 500 mb).

Idea for a base for a radio bumper. I found another track in which someone had said, "du bist der hörer. Wir sind das radio. " so i recorded myself repeating these sentences, which translate from german into english as, "you are the listener. We are the radio. " i also overlaid it over a track of generated sine waves, one in each channel (l-r), chosen to be discordant (like a radioactive effect). Sine waves are 10. 5 seconds, i left 4. 5 seconds at the end to overlay your content (maybe an ident or whatever). Have fun!. Created for my online radio station (sscr tampa), but released in the public domain/creative commons zero/"copyleft" to the maximum extent allowed by law. Voice is my own, tones generated on my computer.

I believe this to be a weasel, but it could have been a river otter, asthe only part of the animal i saw was the snout down a dark hole. Theanimal was amidst the riprap at the end of our garden, and beingtormented by two neighbourhood dogs. I shooed the dogs away, but theanimal continued to shriek for some time. I have this in wav format if anyone requires it, but i'm sending the mp3 because the original is 26mb long and i'm on dialup. ===fyi - i saw an animal swimming in the river a few days later, and am 98. 5% certain it was a river otter. =====2007-09-07ok. My biologist wife and i have come to the conclusion that it's an american mink (mustela vison). Poor little guy.

This is almost the same kick drum i´ve uploaded previously, but this has more compression and overtones in the sub bass, along with an interesting technique i´ve been doing, lemme explain. . . I put the original sample twice in my daw (fl studio if you ask),leave the first sound like it is and the second sample is being equalized in a way that only the sub bass is being showed, so i added to that the saturation plugin ivgi2 from klangheim industries and slammed it with the plugin ott by xfer records about 9 times. Equalized the sound again to cut the sub bass and leave the raw high end sound you hear, finally added an izotope ozone imager to make it wider.

I recorded this from a balcony (5th floor) in the middle of a summer day (end of july), using a mid/side set (mkh30 + c480 b-uls/ck62-df omni) into sound devices mixpre3. Not any processing has been added, except a plain m/s to x/y stereo conversion and low-cut filter (30hz). This is a generally quiet atmo, sometimes light wind comes in, some seagulls and other birds are there at times, some construction work happens etc. The traffic noise is present, but in the distant way. Feel free to use it in any of your productions. Not for resale.

I tried out some new gear and methods! more mountainside rain! a complete storm from beginning to end with swelling and then waning rainfall, occasional thunder. Ms stereo bar on mic stand projected through open second-floor window, just under the roof eaves. Recorded july 20th during one of the mid-afternoon brief intense storms we can seem to get frequently in the rocky mountain foothills beginning around june. If you were listening and wondering, the direct sound of the thunder is somewhat occluded as i believe the storm was behind the overhanging roof and house from the perspective of the microphone array. The mountainous terrain and other objects in the field reflected some of that thunderclap, as well as the exterior wall of the home, and so this is all a little bit funky. Mid-side stereo recording:large diaphragm condensers mounted on octavia stereo mic mounting bar:akg perception 220 mid (cardiod) (on top, upside-down)akg perception 400 side (in bidirectional mode) (on bottom, facing left)sound devices mixpre-6 preamp+mixer+recorder (ch1+2 paired to ms stereo, gain @ +21db, fader @ unity, balance at mid/side center) w/48vdc phantom power applied, on-board mid-side encoding and monitoring in l+r, 24/96khz stereo recording. Postprocessing:cooledit 2000: edited to excerpt from longer recording. Normalized recording to 0db. Downsampled to 16bit 48khz. Flac: encoded.

I recorded this today (1/12/23) from atlanta, where we had a bunch of heavy rain and tornado warnings this afternoon. The radio station i recorded this from is am 750. The first part of the recording isn't very interesting, but the part where she started talking about how you can't see any tornados coming was really interesting to me. I think this would make for some really good ambience in like an environmental horror track. I decided to include the whole recording anyways in case anyone wanted it. Here's the backstory to this thingey if anyone really wants it:we were on tornado watch as i was speeding trying to get home from work, when the sirens started to go off. I had to pull into a disheveled looking parking garage, as that was the closest place i could get to. The garage only had one level, so i had no way of getting to lower ground. I sat there in my car, terrified that i might be stuck there, in a shitty parking deck, in the middle of a giant ass storm, with very little cell signal, for hours on end. I decided to turn on my radio and record it from my phone. Fortunately, i was only in there for 30 minutes, and i managed to get home after the rain cleared up a bit.

Clean recording of various sounds that would occur when maneuvering around an office space (specifically a desk) and manipulating common office objects. Recording features lots of paper rustling and sliding across a wooden desk, handling pens and a stapler, stuffing manila folders and plastic binders, and towards the end there are some sounds of small-medium sized personal bag being unzipped and zipped and then being filled with some of the office materials. Should work great for filling in general office noises in a scene or reinforcing actions that involve any of the materials featured in the recording. There should be enough variety to allow you to glean more isolated sounds or just use assortments of layered sounds. Recorded with an akg p170 into a tascam 208i audio interface at 48khz/24-bit. Microphone was positioned roughly 1. 5 - 2 feet away from the source. There is some slight room reverb present, which is intentional, and should match common office workspaces well. An 85hz high-pass filter was applied to remove any unintentional, unnatural low-frequency rumbling that may have been picked up during recording.

I made a small python program that generates 20 random beeps. I record the outcome. I cut the result so that the first beep starts after 0. 01 secthe file ends right after the last beep. (i'm a python noob. . . If you find something you don’t like in the code please let me know. ). In this sound i have joined three "beep files". Sound 1 panned to the leftsound 2 in the centersound 3 panned to the right. # gis_sweden 20170531 - random beep in python :-)import winsoundimport randomimport timebeepnr = 1. While beepnr < 21:freq = random. Randrange(1000)+110dur1 = random. Randrange(700)+20dur2 = random. Randrange(10)+2winsound. Beep (freq, dur1)time. Sleep(dur2/10)print 'beep number', beepnrbeepnr = beepnr + 1.

I was bored and made this loop on fl studio (jumpscare warning at the end). Stems in order: kick, snare, shaker, transition, unlayered loop and the original sound that i made the unlayered loop from (some motor sound that i recorded). =========================================for anyone that might wanna recreate the unlayered loop, i made it using eq, some valhalla delay preset called magenta, gross beat plugin (chaos 4/drum loop), a plugin called "pancz" by oversampled (add punch & flavour preset), gross beat again (complex 10/drum loop) and little bit of bitcrush using fx(effector fx module). Original motor sound that i used for making thishttps://freesound. Org/people/the_isot_is_back/sounds/640146/.

Recorded with tascam dr-07mkii. While on holiday staying in a country cottage near some cow fields, there was a mother cow and what must have been her 2 calves which had been put into separate fields either side of a road. This was obviously pretty distressing for the cows and so they were constantly mooing at each other and being the kind of guy i am, of course i recorded it!. I have done as much as i can to reduce wind and other background noises (the windshield i have for my dr-07 doesn't seem to do a lot except make it look like it's got a 70s afro) and have trimmed all the cow sounds out and put them together into this one file. Some are better than others, it was hard to know which cow was gonna make a noise next. Free to use for anything, if you use it, would be cool if you let us know where in the comments, be interesting to see where they end up :).

Theme old bombtimer :. Production steps:i record the sound of a book falling on the floor. I copy the sound impact 8 times on the same track. At the end « i fade in closing ». On another track, i copy the first track. I displace this second track on the right with « time shift tool », it creates a shift. I change the pitch of this track with a percent of change of -47. On a third track i take another recording sound of a key knocking on metal. I copy this sound 8 times and put a « fade out » on all the third track. I shift the track to begin at 1sec. Description:this sound look like to an old bomb timber. There is two different sounds one look like a heartbeat and the second a clock ticking. It creates a very stressful sound because of the progressive amplification. The bomb will explode soon and we need to hurry to defuse it. Typologie de schaffer :. Masse: son cannelétimbre harmonique: éclatantgrain: itérationallure: mécaniquedynamique: graduelleprofil mélodique: ascendantprofil de masse: dilatation.

Here is a recording done during the fireworks of san juan at the beachof barcelona, spain. I was standing in front of the mapfre building, between the building and the sea to be exact. Fireworks were being launched behind me from the beach and their sound was reflected off of the building in front of me. The effect you hear are thereflections of the building. The building is shaped to visually reflect the city back onto the beach. Hence each floor has mirrors in a 45 angle downwards, all around the building (look it up on google for details). The sound must be coming from different points each located further away, creating a kind of discrete doppler effect, i suppose, although i am not yet 100% sure what exactly causes this. I am holding the microphone sideways, so you hear the explosions on your right ear and the reflection traveling to the left. In reality, you hear the explosion behind you and the reflection traveling up along the building. If you are ever in barcelona end of june during "san juan", you should check this out!. Recording done with my zoom h2n and its internal microphones. Hope you enjoy.

. . Inside an intercity express (ice) between stuttgart and mannheim, sitting in an almost empty (three passengers) second-class broad-spaced compartment at around 9 pm. After a shaky first minute an even part follows for around 90 seconds. Interrupted by some road holes the steady sound continues, now with the frequency of the engine sound rising until the beginning of the fourth minute. Here the "main part" begins, starting with several moments of acceleration, deceleracion and breaking. From minute 5:15 to 7:35 the train reaches it's peak velocity, with only few bumps. After a short deceleration the train inceases velocity again, reaching a second peak, this time noticeably bumpier. Once in a while you can hear some element of the fitments rattling nervously along the track, depending on the constitution of the railways and the overall situation. During the last two minutes the train keeps on decelerating slowly and continuously until the end. Recorded in stereo with a portable stereo recorder (zoom); enhanced in audacity using a parallel dynamic eq (tdr nova), a compressor (vos density mkiii) and a binaural spacializer (auburn panagement).

A drowsy, warm lazy hot day in mid-summer in the forest of the midwestern usa. As is the case around mid-july, the birds are not singing as much. Perhaps they are just exhausted from raising a family and wilting from the heat. The insect chorus ebbs and flows, like the ocean waves creeping up on the beach, and retreating back. Except, unlike the ocean which never stops moving, the insects will eventually stop singing and hibernate for the winter. I have always loved the sound of propeller-driven planes and their slow, molasses-like sound. That sound has always induced a melancholy touch to the recordings. To me, this drowsing plane symbolizes change -- even though the birds and plants are still in full growth, the end is near. . . In about four more weeks schools will resume, the emphasis for many will turn inward. Leaving the woods to deal with the transition. The droning plane, like ocean waves, symbolize change. . . In several months there woods will be drastically changed. Recording made on july 18, 2022 using sound devices mixpre 6 and the sennheiser mkh 8020 omnidirectional microphone. Enjoy this peaceful ambiance, and hopefully it will trigger some long-past memories for you.

Zip twisting mechanism sound, then a drop glug sound. Also sound like a bottle glug. Use examples: you can use this in a number of ways if you edit it. 1. Parking meter. 2. Edit/cut the sound so that it sounds like you are using a drink vending machine. 3. Use the end glug sound as bottle being put down. Or copy and past the glug multiple times in a row to simulate someone heavily drinking from a bottle. 4. Glug sound can be used as something dropping in water. -[ recording info ]-. I created this accidentally while making bead strand zip sounds and hitting the microphone. Studio mic: at4033recorded in: adobe audition 3mastered: using eq, compressed, noise gated, and normalized to -. 1. *no credit is ever needed to use my samples!*read my profile for further info.

Here is another night of that couple next door. They were active for around 25 minutes. Sounds like they had a really good night. The recorded audio of this was over two hours long and edit down to this length. Many of their conversations before they you know and after they finished were excluded out. At 2:32, sounds like the woman said "wanna go ahead,. . . "starting around at 3:45 was when they probably began to have their fun in bed, but there were still bits of soft chit chat between the couple. At 13:25 is when there are bits of moans coming from the woman. At 14:50 is when the rising action really begins. At 25:00 was when their fun was coming to an end, and you should be able to hear some of the noises from the guy. For those who just want the good parts of the audio: 13:25-25:56.

9-note ending riff. 1 of 8 samples under 5 seconds from my acoustic guitar recording of a civil war fife and drum song named frog in the well, which i learned from an 1862 instructional manual. The instrument was a 1928 gibson l3. There are no effects. Key is (in order of best fit) d major, f# minor, e minor, g major, a blues. Time signature is 3/4, but these samples are mainly under a bar so can be used in a 4/4 song. You also use either of these licenses for your remix: creative commons attribution-sharealike, creative commons attribution-noncommercial. The home of this song on the web is soupgreens. Com/froginthewell. That has the full source song in mp3 format and short clips (40 seconds, 30 seconds, and 20 seconds) for use in video cues. There is also sheet music and guitar tab there.

Soundscape of a city street in chicago during winter. Sunday, january 31st 2016 at 6:05pm. Continual planes, trains, and cars passing. Occasional pedestrians. Cta "l" trains audible at the nearby thorndale red line stop. Mic: core sound tetramicrecorder: zoom f8. Converted to b format using vvtetravst, then processed to stereo as wide cardioids at + and - 45 degrees using ambisonics toolkit (atk). Light noise reduction applied using izotope rx 7 spectral de-noise. High pass filter applied to reduce low end rumble. Some editing done to remove wind buffeting. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.

The sound is coming from the fans of a server. By pulling out one of the fans, all other fans turn up to 100%. The microphone is located above the air duct exactly in the middle of the case and thus between two fan fronts. The soundfile starts with the fans on standard speed. After a few seconds the fans turn up to 100%. I left them there for a few seconds and then quietly plugged the removed fan back in. This fan now also switches to 100% - this is the single, delayed "speed up" that can be heard from second 35. About 10 seconds later, all fans return to normal speed. Unfortunately, a colleague came in at that time and ended up talking into the recording. Due to lack of time, i was unfortunately unable to repeat the audio that day, but will certainly do another re-recording in the future. Feel free to use the sound; no attribution required. Feel free to write me in the comments what you used the sound for. Equipment:røde lavalier microphonesound devices mixpre-3 ii. File:wavmono96 khz32-bit float.

Here are the sounds i recorded:- the "loose parts" sounds were a slightly unscrewed valve on a trumpet. - the hydraulic leg-lifting noise was a hatch door opening on a van. - the metal foot hitting the ground was me banging on a metal garage door. - the humming engine noise (it's quiet) was a roll of duct tape spun on a wooden board. - the various other clanks and pops were the same trumpet noises, just edited a bunch. One day while playing the mobile game crossy road, i my sound being used for one of the characters. If you end up using my sound, let me know! i'd love to know what kind of things it's being used in. This is called "three-legged robot walker with loose parts" because it was a foley assignment for my sound design course years ago. This was one of the obscure things the professor gave the class that we had to interoperate and create using only our own recorded/edited foley effects. The class voted on the best one, and mine turned out to be the winner.

You hear a male voice saying, "target locked. " followed by target seeking sounds with another male voice saying "engage. " at the end. This sound is a combination of sounds i found here on freesound that i put together for a personal project. Thought i'd share the result. The initial tones are from the following:http://www. Freesound. Org/people/hardpcm/sounds/33213/. The male voice saying "target locked. " is my voice recorded and modified and requires no attribution. :). The target seeking noise is from the following audio clip with adjusted speed:http://www. Freesound. Org/people/benboncan/sounds/61792/. The male voice saying "engage. " is from the following clip:http://www. Freesound. Org/people/qubodup/sounds/67630/. The quick beeping tone during the male voice saying "engage. " is from the following clip:http://www. Freesound. Org/people/leviclaassen/sounds/107786/. Enjoy! if you use this anywhere, i'd love to see it if you could post a link! :).

. A very mellow and ambient music loop. Completely seamless. It has a horrid start because of the whole seamless loop stuff, please read further down. . . The piano piece is one of orangefreesounds' many beautiful looping piano melodies. I added some effects and an ambient mellotron using the free, but stunning redtron se vst instrument, which uses recorded samples of a real mellotron. Highly recommended if you are looking for an authentic mellotron sound. . . Please excuse the rough start, the reason why it sounds so weird is because it is a prefect loop, that means that everything, including all the effects, loops perfectly. What you hear in the very start is the reverb and delay effects from the end carrying over to the start. It will sound completely seamless once looped!. . It might not sound good as a preview, so i recommend to download and listen to it on your own device, as the website has a bad habit of compressing and adding a bunch of annoying squeaking sounds to the audio. .

Theme scary siren :. Production step :i record a scream. I cut it and extract two different sounds from it. I change the pitch to get the sound more high-pitched. I also change the tempo to be more slow. I separate the track in two and invert the last part. With the enveloppe tool, i change some part of my track manually. I amplify the track. I also use the reverb effect and amplify the size of the room of 60%. I used the noise reduction. At the end i fade out. I used the noise reduction. Description :this sound look like a siren or an alarm. Because the sound is high-pitched, it award an horrific aspect to the track. For me this siren can take place in an old and creepy factory. In some aspect, there is some metallic noise in this sound. The no-regularity of the siren also participate to this strangeness feeling. Typologie de schaeffer :. Masse: toniquetimbre harmonique: acidegrain: itérationallure: naturelledynamique: violenteprofil mélodique: descendant puis ascendantprofil de masse: aminscicement.

[game_over_01_remastered. Wav]. Game over. This was my first sound ever here. . . This sound was originally created for our game that we made during our university game jam back in the days. . . I had the pleasure to work with the kindest, most efficient, passionate, awesome, upbeat folks at campus; a group of 5 members altogether. The game was called "bombers please". At the end of the day, it was dark outside, the whole university-building was empty, dark and had some spooky corridors/halls, and we were still there. Just before we were about to leave the building, we took the audio room and recorded my voice instantly so we could use this sound the next day for the game (the university game jam lasted for 1,5 days). We had uncontrollable laughs during the making of this !. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Circle of 5ths loop compiled on a 2015 macbook pro using field recordings. Tempo / time sig:24 bars of 3/4 timing with each bar lasting 2. 5s. Or 12 sets of 6/8 at 5s per bar with a total length of 60s. Filters:hipass pumped at 60hz, -5db. Lopass pumped at 1200hz at -6db. Delay set to 0. 05s at 600hz with a 60% wet mix. Arranged with the tonic 5th as a constant with the last (fifth) 5th in the circle, starting and ending with the tonic. Second 5th enters in 5s, third in 15s and the fourth in 25s as the fifth stops. The fifth 5th begins to fade back in after 10s of silence, which begins the process of the second, third and fourth fading out in that order. The fifth 5th is at full volume as the loop turns, as is the tonic. The mood changes noticeably as each consecutive 5th begins, and changes again as the following 5th joins the loop.